Kraków has always felt like a city suspended in time. I’ve walked its streets at night, listening to the echoes of the past that seem to linger longer than they should. With MOST, I want to make those echoes speak. Living in Podgórze I can see a fragment of the of the old Ghetto Wall from my apartment window.

I live with my partner in Krakow, continuing to explore how ancient culture and cutting-edge technology can come together to produce experiences that are both timeless and visionary. Living in Podgórze I can see a fragment of the of the old Ghetto Wall from my apartment window. This project then is personal. It’s a mix of everything I’ve worked on – spatial sound, AI-driven storytelling, and immersive experiences. My work at MoMA on procedural narrative building taught me how sound can shape a story in real-time. Augmented Reality projects showed me how we can layer new dimensions over physical space.

MOST is where these ideas come together—turning Kraków into a living, breathing sound archive. Most means ‘bridge’ in Polish. This project is a bridge between the past and the present. Between what was lost and what can still be heard. 

We wanted to tell the stories of pre-WW2 Jewish life in Kraków – the literature, the music, the progressive ideas that once flourished here. But instead of a museum exhibit, we’re embedding these stories into the city itself, using location-based audio and AI-driven soundscapes.